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Showing posts from January, 2018

Full Wolf Moon: A Story of Lichenthropy

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From the brilliant mind of Lincoln Child comes a suspenseful reinvention of The Wolfman as enigmalogist Jeremy Logan finds a remote community within the fictionalized Adirondack Mountains in upstate New York, plagued by recent mysterious,  gruesome deaths.  An investigator of the unexplained, Logan, originally there to work on his monograph, has been drafted into the series of apparent killings by a ranger and old friend,  Randall Jessup, a former Yale classmate who's now a senior officer in New York's Division of Forest Protection.  The bodies have all been turning up in the forest in virtually the same state — shredded, torn limb from limb—and Jessup asks Logan to investigate, knowing that he studies "phenomena beyond the bounds of regular science." The attack may not be the first. Because it happened during a full moon, speculation floats around and Logan catches rumors among the townsfolk about  a family living in isolation called The Blakeneys. Reluctantl

The Post

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Katherine Graham, the first female publisher of The Washington Post, and Editor Ben Bradlee race against The New York Times to publish a massive cover-up by the US government that spans decades of false reports published in the Pentagon Paper. Together, overcoming differences, Graham and Bradley put their careers - and The Post's reputation - on the line. " Punchy and quick-pulsed, it's a fine example of that now-rare species, the big-city newspaper melodrama,” wrote   Hollywood Reporter's  Todd McCarthy. It's rare for a reason. The film is flushed against the conspiracy of President Lyndon B. Johnson and his administration and the documents that reveal US meddling in the Vietnamese presidential election (sort of like our 2016 election), and the subsequent cover-up by Johnson and Nixon. Daniel Ellsberg, a contributor to the report, had been an analyst on the ground during Vietnam, working for the State Department. Not sure what to do, he sat on the doc

An American Throwback: American Made

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Barry Seal is an American pilot about to make the flight(s) of his life: running drugs for the CIA as the agency investigates clandestine organizations that would be exposed in the Iran-Contra Affair. Captured by actor Tom Cruise, Seal's catch-me-if-you-can spirit drives the film the way Jeff Gordon drives a race car, revealing the true-life events at lighting speed, manic at times, while effectively telling Seal's story in an interview that kicks off this riveting drama inspired by true events. The flop-sweat Seal had been a TWA pilot who enjoyed a lucrative sidehustle smuggling the contraband of Cuban cigars along his commercial flights when he's busted by CIA Agent Schafer (Domhnall Gleeson) who offers him the alternative to prison. For Tom Cruise, this tongue-in-cheek film isn't new as, in many of his roles have been tailored to a certain level of witty humor, but it is rare for director Doug Liman, whose forte is action-packed thrillers such as The Bourne I

Boondock Saints

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If movies were on tracks, this one would be a colossal train wreck. I had heard of Boondock Saints from a friend. I knew it was about two  fraternal twins roaming the streets of Boston to rid the town of criminals while getting heat from a corrupt fed , a "Prince of Thieves" story line. But, what I got was criminal in and of itself. The two main characters, Conner and Murphy MacManus (Sean Patrick Flannery and Norman Reedus, respectively), become vigilantes after killing two Russian mobsters in (almost comic) self-defense, at a pub, ironically the day after attending mass, as the mobsters announce they intend to take over the land on which the pub stood. Because of this cliche, at first, I thought it was a dark comedy as the brothers bumble around and end up killing the Russians in self-defense. FBI agent Paul Smecker (Willem Defoe) is assigned to the case as the media hails the brothers as neighborhood heroes in stereotypical fashion. But the modest duo turn themselves